Little Red Riding Hood Lied About Her Age!

red riding hood 300x287 Little Red Riding Hood Lied About Her Age!Well, she didn’t lie, exactly. But a British anthropologist has suggested the fairy tale, Little Red Riding Hood, is far older than previously known. The Telegraph has the details:

Dr Jamie Tehrani, a cultural anthropologist at Durham University, studied 35 versions of Little Red Riding Hood from around the world. Whilst the European version tells the story of a little girl who is tricked by a wolf masquerading as her grandmother, in the Chinese version a tiger replaces the wolf.

Contrary to the view that the tale originated in France shortly before Charles Perrault produced the first written version in the 17th century, Dr Tehrani found that the varients shared a common ancestor dating back more than 2,600 years.

Using techniques biologists use to create taxonomies, Tehrani traced variants of the story as far as the sixth century B.C., and speculated a common ancestor in the even deeper past. Our narrative habits go way back.  Therein lies a tale.

Humans use stories to organize their thoughts, their lives, their beliefs, and their actions. I’ve used the story of Little Red Riding Hood to teach the importance of narratives. It is commonly believed we can persuade by using the right word or frame. But words come in stories. People think in terms of heroes, villains, victims, hero helpers, etc. The habits of narrative are so ingrained that people fill them in for the storyteller if the teller leaves a blank, falls short, or uses a word or frame out of place.

If the glove doesn’t fit, the story must quit. If the Big Bad Wolf suddenly urges tolerance and waxes on about compassion, the story falls apart.

Did you really believe the headline above: “Little Red Riding Hood Lied About Her Age”? Probably not. It might have made you want to read on so you could watch this writer fall off the high wire (yes, the telling follows its own narrative arc, just like the tale). But the headline is so preposterous – Red’s a heroine, after all – it would never be believed. Which is why the claim was corrected quickly – after the reader’s attention was grabbed but before the writer plummeted to credibility death on the floor of the circus tent.

This is exactly how tabloid headline writers work, by the way. The old bait-and-switch. It is, when you think about it,  just what the Big Bad Wolf did to Red.

You ask, if narrative expectations matter, why then do people believe the gossipy garbage? Because what’s garbage to us is narrative caviar to them. It meets their narrative expectations. They live in different narrative universe, a universe in which Elvis lives, an east wind brings disease, and presidents are illegal aliens.  Frolicking in these narratives, they take the bait. So, by the way, do we, when the bait fits the narratives of our own encampment.

A hero in one narrative universe is a villain in another. So when you can’t understand how somebody could believe that, chances are the stories circulating in their heads are very different from those circulating in yours. This does not mean, by the way, that truth is relative. People once told stories about the curative power of leeches. Humans lost a lot of blood. The truth does, ultimately, matter.

Getting folks to abandon or alter their narratives is hard. It is a bit easier with open-minded folks who have the good habit of living with a bit of humility and uncertainty. To paraphrase some sage advice, they are more willing to turn the other narrative. Most people though, are lifelong creatures of narrative habit. Red notices the Wolf’s teeth are too big to be her grandmother’s, but she still must be rescued by a hunter.

Racism is, in part, a problem of narrative stickiness. People might learn there are drawbacks to publicly displaying bigoted opinions, but the underlying narratives are still their in their heads and hearts, doing what narratives have always done, creating a universe of belief and action. They will not change unless they are constantly challenged. Even then, it may take generations. Meanwhile, here’s yet another version of Little Red Riding Hood, a new cover of an old song telling the story in a new medium.

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About Glenn W. Smith

Glenn W. Smith has spent the past 30 years in journalism and politics, where he’s made a name for himself as a writer, campaign manager, activist, think tank analyst and, as Daily Kos founder Markos Moulitsas says, a “legendary political consultant and all-around good guy.” “There’s no one like him,” says author George Lakoff. CNN commentator Paul Begala says, “He has unmatched experience, a graceful pen (or pixel nowadays) and deep insight into the best and worst of us.” Novelist Sarah Bird speaks of his “lucid and lyrical” prose. And, she says, he’s fun. Huffington Post founder Arianna Huffington says Glenn writes with “grace and abundant humor” and “uses his colorful experiences in Texas to enlighten us all.”

Smith led Ann Richards’ successful 1990 campaign for Governor of Texas. He worked for former Texas Lt. Gov. Bill Hobby and U.S. Senator Lloyd Bentsen. Earlier, Smith was a political reporter for the Houston Chronicle and the Houston Post. He’s coordinated national campaigns for groups such as MoveOn.org. In 2004, he authored the highly acclaimed book, The Politics of Deceit: Saving Freedom and Democracy from Extinction. He also wrote Unfit Commander, a book that detailed George W. Bush’s mysterious disappearance from military service.

In 2004, Smith was featured in the film, Bush’s Brain, a documentary about Karl Rove. Smith provided commentary on Rove’s role as then-President Bush’s senior advisor. He has made numerous media appearances with Chris Mathews on Hardball, Joe Scarborough, Brit Hume, and many others. He writes a regularly for top national web sites, including FireDogLake and Huffington Post.

As a senior fellow at George Lakoff’s prestigious Rockridge Institute in Berkeley he studied, wrote and taught on the power of metaphor and narrative in political communications. He also lectured on religion and politics at the Starr King School for Ministry in Berkeley. As a sponsor and organizer, he has pulled together numerous national events with progressive religious leaders. He also organized a celebration of Dr. Martin Luther King at Riverside Church in New York City as well as “Freedom and Faith” bus tours, which was a nationwide campaign for social justice and progressive values.

Smith’s play, Double Play, which explored American Western myths and legends, was held over to sold-out audiences. He’s even written and performed songs in the Americana tradition, such as his best-known song, “Helping Marty Robbins,” a tribute to his hometown, Houston.

Most recently, Smith is the creator of DogCanyon, a political and cultural web site covering state, national and global issues from a Texas perspective. DogCanyon is an exhilarating and unique site that gets the connections between politics and culture and explores both the personal side of politics and the ups, down, craziness and beauty of “life its ownself,” as humorist Dan Jenkins would say. DogCanyon offers heartfelt personal essays, hard-hitting political analysis, and, most importantly, laughs.

As Paul Begala said, Smith writes in “the finest, firmest, fearless tradition of Texas essayists like Molly Ivins.”